#iorestoacasaenavigo è il progetto che il Porto di Trieste, assieme a Trieste Film Festival, Pordenonelegge – Festa del libro con gli autori, Wunderkammer Trieste, l’associazione delle Guide Turistiche del FVG e Annalisa Metus, ha ideato per non smettere di sognare e di viaggiare con la fantasia anche in questo momento così difficile.

Sul canale YouTube del Porto di Trieste troverai consigli cinematografici, canzoni, rime, visite virtuali alla scoperta del passato di Trieste, laboratori. Quasi ogni giorno troverai qualcosa di nuovo, per i piccoli e per i grandi.
Un filo conduttore: il mare. Quel mare che tanto rappresenta per noi, che ci unisce e che ci fa sognare. Anche da casa.

L’illustrazione di Jan Sedmak è la “bandierina” che dà idealmente il via a questo progetto. Resta a casa e naviga con noi!

Potete trovare il video teaser a questo LINK e il comunicato stampa ufficiale a questo LINK

L'articolo #IORESTOACASAENAVIGO proviene da Trieste Film Festival.

Il progetto EU CIAK, realizzato da Alpe Adria Cinema e PAG – Comune di Trieste con il supporto della Fondazione Pietro Pittini, ha coinvolto alcune scuole superiori della città di Trieste in un percorso di formazione all’audiovisivo durante l’anno scolastico 2019/2020.
Gli studenti partecipanti sono stati accompagnati in oltre 60 ore di laboratorio da professionisti del settore audiovisivo in un percorso di formazione teorico e pratico per la realizzazione di un cortometraggio.
Le opere realizzate sono state presentate al grande pubblico durante la 31° edizione del Trieste Film Festival a gennaio 2020.
Le scuole coinvolte sono state il Liceo Artistico Enrico e Umberto Nordio (classe 4A), l’Istituto Tecnico M. Fabiani – G. Deledda (classe 3Bg) e l’International School of Trieste (grade 11) accompagnati dai tutor/videomaker Giulio Ladini, Fulvio Bullo e Hari Bertoja.

A questo LINK potete guardare i cortometraggi realizzati durante il progetto

L'articolo PROGETTO EU CIAK: ECCO I VIDEO! proviene da Trieste Film Festival.

LINK

L'articolo TSFF ACADEMY 2020 proviene da Trieste Film Festival.

23Thursday, 23 January you can still visit the exhibition Modernistan: Soviet Modernist Architecture in Central Asia at the covered market, from 08.00 to 17.00, The fabulous Gianni – wall anthology in 21 posters at Teatro Miela, from 15.00 to 22.00, I still have a suitcase in Berlin at the Double Room, from 17.00 to 19.00 and Born after ‘89 at Cavò, from 17.00 to 19.30.

The closing day of the 31. TRIESTE FILM FESTIVAL begins at 15.00 at Teatro Miela with the screening of the winning documentary of the section ‘Best documentary in competition’.
At 17.00 there will be two cinema events: first The Man Who Saw Too Much (L’uomo che ha visto troppo) (GB, 2019, col., 62’) by Jill Nicholls and Alan Yentob and after Cavana Stories (I, 2019, col., 44’) by Collettivo DMAV and Cizerouno. The first one is a documentary that tells the story of Boris Pahor, 106-year-old, believed to be the oldest survivor of the Nazi concentration camps. The author will be attending the screening. Cavana Stories is a collective performance made up of fragments of memory from which the stories and experiences of this neighbourhood in Trieste. The author will be attending the screening.
At 20.00 the 31. TRIESTE FILM FESTIVAL will end with the rerun of the ‘Best short film in Competition’ and after the rerun of the ‘Best feature film in Competition’.

Tickets for the Trieste Film Festival are available at the box-offices of Politeama Rossetti, Cinema Ambasciatori and Teatro Miela.
With the opening of  the box-offices it will be possible to purchase the tickets for all the screenings in programme at the theatre where the purchase is being made. Seats are not numbered.

L'articolo #TSFF31: OMAGGIO A BORIS PAHOR proviene da Trieste Film Festival.

At Caffè San Marco at 11.00 the last Q&A with the authors, which will be preceeded by the book presentation Il bruciacadaveri/The cremator with Alessandro De Vito and Massimo Tria.

Today at Teatro Miela, for the section ‘Time Will Tell’ carried out with the support by Goethe-Institut in Rome, at 10.30 there is Heimat is a Space in Time (Heimat ist ein Raum aus Zeit) (D – A, 2019, col. & b-n/b-w, 218’) by Thomas Heise. Director Thomas Heise picks up the biographical pieces left by his family, and composes an epic picture of four generations of his family, of a country, of a century. Premiered at the latest Berlinale.
The day continues at 14.30 with Progress in the Valley of the People Who Don’t Know (Fortschritt im tal der Ahnungslosen (D, 2019, col., 67’) by Florian Kunert. Shadowed by weekly, racist demonstrations in former East Germany, retired factory workers of the German Democratic Republic together with Syrian refugees share the memories of their lost homelands. The author will be attending the screening.
At 16.00, always at Teatro Miela, it’s time for Time Will Tell (Alles Andere Zeigt die Zeit) (D, 2015, col. & b-n/b-w, 95’) by Andreas Voigt, from which has been taken the title of this section. The author will be attending the screening.
At 18.00 it’s time for Coal-Country Song. Gundermann (Gundermann Revier) (D, 2019, col., 98’) by Grit Lemke. The life and death of a rock poet, who worked as a coal miner and became “the Bob Dylan of the mine” before becoming the “voice of the East Germans”. The author will be attending the screening.
Another film about  Gundermann at 20.00, a musical and love story but also political and historical film: Gundermann (D, 2018, col., 127’) by Andreas Dresen.
Closing the section ‘Time Will Tell’ at 22.15 The German Chainsaw Massacre (Das Deutsche ket-tensägenmassaker) (D, 1990, col., 60’)  by regista Christoph Schlingensief, who, in a rather radical and provocative way, puts on screen his vision of the unified Germany happened on the 3 october 1990.
At 20.30 the cinema event Berlin Bouncer (D, 2019, col. & b-n/b-w, 87’) by David Dietl, which tells the story of Berlin through the eyes of its most legendary doormen.

Tickets for the Trieste Film Festival are available at the box-offices of Politeama Rossetti, Cinema Ambasciatori and Teatro Miela.
With the opening of  the box-offices it will be possible to purchase the tickets for all the screenings in programme at the theatre where the purchase is being made. Seats are not numbered.

L'articolo 1990-2020: TIME WILL TELL proviene da Trieste Film Festival.

Il Premio Trieste al miglior lungometraggio in concorso va al film bulgaro BASHTATA (Il padre / The Father) di Kristina Grozeva e Petar Valchanov, elaborazione di un lutto attraverso il viaggio assurdo e sgangherato di un padre e di un figlio, tra sensi di colpa e legami da riallacciare.
Il Premio Alpe Adria Cinema al miglior documentario in concorso segnala invece A LÉTEZÉS EUFÓRIÁJA (L’euforia dell’esistenza / The Euphoria of Being) dell’ungherese Réka Szabó, sulla straordinaria figura di Éva Fahidi, unica della sua famiglia ad aver fatto ritorno dal campo di sterminio di Auschwitz Birkenau, e oggi – settant’anni dopo – protagonista di una performance teatrale sulla sua vita.
Al bielorusso LAKE OF HAPPINESS di Aliaksei Paluyan, infine, il Premio Fondazione Osiride Brovedani al Miglior cortometraggio in concorso.
Nato alla vigilia della caduta del Muro di Berlino (l’edizione “zero” è datata 1987), il Trieste Film Festival – diretto da Fabrizio Grosoli e Nicoletta Romeo – è il primo e più importante appuntamento italiano dedicato al cinema dell’Europa centro-orientale, che continua a essere un osservatorio privilegiato su cinematografie e autori spesso poco noti – se non addirittura sconosciuti – al pubblico italiano, e più in generale a quello “occidentale”. Più che un festival, un ponte che mette in contatto le diverse latitudini dell’Europa del cinema, scoprendo in anticipo nomi e tendenze destinate ad imporsi nel panorama internazionale.
I film premiati dal pubblico saranno proiettati in replica nella giornata di giovedì 23 gennaio.
Qui di seguito l’elenco dei premi assegnati.
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31. TRIESTE FILM FESTIVAL – I VINCITORI
Il pubblico ha decretato i seguenti vincitori:
CONCORSO LUNGOMETRAGGI
Il Premio Trieste al Miglior lungometraggio in concorso (€ 5.000) va a:
BASHTATA (Il padre / The Father) di Kristina Grozeva e Petar Valchanov (BG – GR, 2019)

CONCORSO DOCUMENTARI
Il Premio Alpe Adria Cinema al Miglior documentario in concorso (€ 2.500) va a:
A LÉTEZÉS EUFÓRIÁJA (L’euforia dell’esistenza / The Euphoria of Being)  di Réka Szabó (H, 2019)
CONCORSO CORTOMETRAGGI
Il Premio Fondazione Osiride Brovedani al Miglior cortometraggio in concorso (€ 2.000) va a:
LAKE OF HAPPINESS di Aliaksei Paluyan (BY – D – E, 2019)
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Il Premio Corso Salani 2020 (€ 2.000), assegnato da una giuria composta da Giovanni Cioni, Daniela Persico e Alessandro Stellino, va a:
LA STRADA PER LE MONTAGNE di Micol Roubini (F – I, 2019) con la seguente motivazione:
Un viaggio alla ricerca di un luogo perduto della storia familiare che si rivela come il castello di Kafka. La regista si spinge sempre più in profondità di una selva di storie intime e personaggi picareschi con l’implacabile determinazione di chi non abbandona la posizione. L’unico atto ancora possibile di fronte all’oblio contemporaneo.
***
Il Premio SkyArte assegnato dal canale Sky Arte HD attraverso l’acquisizione e la diffusione di uno dei film della sezione TriesteFF Art&Sound è stato attribuito a: 
FORMAN VS FORMAN di Helena Třeštíková e Jakub Hejna (CZ – F, 2019)
***
Il Premio Osservatorio Balcani e Caucaso Transeuropa al miglior documentario in concorso va a:
A LÉTEZÉS EUFÓRIÁJA (L’euforia dell’esistenza / The Euphoria of Being)  di Réka Szabó (H, 2019) con la seguente motivazione: 
Perché riesce a farci apprezzare, in quest’epoca di disillusione e assenza di prospettive, la forza dell’esistere ed il presente come opportunità di riscatto attraverso la bellezza, la tenerezza e persino a mostrare il valore della fragilità. Perché incarna nell’incontro tra una donna anziana e una giovane danzatrice professionista, la bellezza del contatto con l’altro, contro l’intento dei carnefici nazisti di annichilire il corpo e de-umanizzare la persona. Perché è capace di rappresentare la forza del dialogo tra diverse generazioni mentre prevale nel nostro tempo la recriminazione e il risentimento. Per l’originalità con cui affronta il tema dell’elaborazione della memoria mostrandoci le difficoltà del superamento del trauma ma anche la possibilità di conviverci, e forse anche di sublimarlo, godendo delle opportunità di felicità della propria esistenza. E ci racconta la storia di chi è stata vittima di un sistema di morte trasformandola in protagonista della vita per mezzo dell’arte. 
*** 
L’EASTERN STAR AWARD 2020, assegnato a una personalità del mondo del cinema che, proprio come il festival, ha gettato un punto tra il cinema dell’Europa dell’est e quello dell’Europa dell’ovest, va all’attrice KASIA SMUTNIAK.
Il CINEMA WARRIOR – CULTURAL RESISTANCE AWARD, dedicato all’ostinazione, al sacrificio e alla follia di quei “guerrieri” che lavorano dietro le quinte per il cinema, ha assunto quest’anno un valore speciale, perché assegnato a un’associazione – LIBERO CINEMA IN LIBERA TERRA – che, attraverso il cinema, combatte una battaglia più importante, quella contro la mafia, in nome della legalità. quella battaglia la combatte battendo palmo a palmo il nostro Paese, percorrendo in lungo e largo l’Italia, portando – letteralmente – il grande schermo nelle piazze, nelle periferie, nelle terre confiscate alla criminalità organizzata, realizzando ogni anno un festival itinerante che fa tesoro dell’insegnamento di don Luigi Ciotti e delle parole di Ettore Scola: i più grandi nemici della mafia sono la cultura e la conoscenza.
Il Premio InCE (Iniziativa Centro Europea) 2020 (€ 3.000) va a MARKO ŠKOP e al suo film Nech Je Svetlo (Che sia fatta luce / Let There Be Light / SK – CZ, 2019) con la seguente motivazione:
Per la sua attenzione critica verso la società, per la capacità di metterci in guardia dai pericoli degli estremismi e della connivenza tra poteri forti; per l’attenzione rivolta alla formazione dei più giovani ponendo educazione e cultura come unica risposta contro intolleranza e razzismo.
Il Premio Cineuropa, assegnato da una giuria del portale europeo di cinema e dell’audiovisivo al miglior lungometraggio in concorso va a LILLIAN di Andreas Horvath (A, 2019) con la seguente motivazione:
Come non amare questo ritratto di una donna vulnerabile e determinata allo stesso tempo, simbolicamente alla ricerca di qualcosa di non definibile, che sfida se stessa e il cartello “le ragazze non fanno l’autostop” in un  road movie visivamente potente, che aggiorna una vicenda reale degli anni Venti. Come non apprezzare la magnifica interpretazione dell’artista visuale Patrycja Płanik, la messa in scena dal solido approccio documentaristico e la tenacia quasi ossessiva con cui questo progetto è stato perseguito e realizzato dal regista. 
Il PREMIO GIURIA PAG – Progetto Area Giovani del Comune di Trieste, assegnato da una giuria di giovani tra i 18 e i 35 anni, rappresentanti di associazioni giovanili, al Miglior cortometraggio in concorso va a HRANICE (Confine / Frontier) di Damián Vondrášek (CZ, 2020) con la seguente motivazione:
Un’opera che ci racconta un tema attuale attraverso i punti di vista di persone differenti: ne risulta un panorama ambiguo, in cui giusto e sbagliato si confondono rendendo difficile prendere una posizione. Il regista riesce a far fronte alla complessità di girare la maggior parte delle scene esterne in notturna sfruttando un esperto utilizzo della luce; il cortometraggio è stato inoltre impreziosito da un attore protagonista capace di trasmettere la complessità umana del proprio ruolo. La storia riesce a superare i confini e le distanze rispecchiate nella società odierna, dando importanza e valore a ogni individuo.
La giuria assegna inoltre una Menzione speciale a VIRAGO di Kerli Kirch Schneider (EST, 2019) con la seguente motivazione:
Una storia surreale e magnetica, che cattura lo spettatore per trascinarlo in una realtà tragicomica. La scelta dei colori è attentamente votata a creare un’atmosfera e una cornice fiabesche. Un ritmo incalzante e una narrazione fluida la rendono un’opera completa e gradevole, sostenuta da un richiamo epico e da una grottesca rappresentazione del gioco dei sessi. Quest’opera offra diversi spunti di riflessione sugli equilibri e i ruoli che reggono i rapporti fra donne e uomini, mettendoli continuamente in discussione e lasciando sulle labbra un sorriso amaro.

L'articolo #TSFF31: I VINCITORI! proviene da Trieste Film Festival.

The first film at Politeama Rossetti is at 11.00, the special event The Cremator (Spalovač Mrtvol) (CS, 1969, b-n/b-w, 100’) by Juraj Herz. A compelling movie between political satire  and grotesque.
At 14.00 it’s time for the feature film out of competition Heidi (RO, 2019, col., 96’) by Cǎtǎlin Mitulescu. Shot on 16mm, a police procedural on an unbalanced relationship, against the backdrop of Romania’s harsh social reality.
The programme continues at 16.00 with Rounds (V Krag) (BG – SRB – F, 2019, col., 106’) by Stephan Komandarev. Presented at Sarajevo Film Festival, where Irini Jambonas has been awarded as Best Actress.
At 18.00 the italian premiere of the documentary out of competition The Gift (Il Dono) (I, 2019, col., 89’) by italian director Giuliano Fratini. The author will be attending the screening.
Politeama Rossetti closes the day with the award ceremony at 20.00, and following the special event The Whistlers (La Gomera) (RO – F – D, 2019, col., 98’) by Corneliu Porumboiu, who will be giving a masterclass at 17.30 at Café Rossetti. La Gomera is a funny noir which plays with film genres. The author will be attending the screening.

At Cinema Ambasciatori two ‘Corso Salani award’: at 14.30 Master Where Are You (Padrone dove sei) (I, 2019, col., 82’) by Carlo Michele Schirinzi and at 16.30 The Way to the Mountains (La strada per le montagne) (F – I, 2019, col., 83’) by Micol Roubini. The author will be attending the screening.
At 18.00, a tribute to Corso Salani with Eugen si Ramona (I, 1989, col. & b-n/b-w, 25’) and after Voices of Europe (Voci d’Europa) (I, 1989, col., 90’). The author will be attending the screening.
Last documentary of the day at Cinema Ambasciatori at 22.00 with Tusta (HR – SRB, MK, 2019, col., 109’) by Andrej Korovljev for the section ‘Art&Sound’. A biographic documentary about the life of Branko Črnac-Tusta, the frontman of the punk rock band KUD Idijoti from Pula, who surpassed the music and became a symbol of free thinking. The author will be attending the screening.

Other exhibitions and events for kids at the TSFF Little Ones: two events, at 10.00 and 14.00, will take place at Eataly. With Choco Lab children will have fun evaluating chocolate and playing the role of real tasters!
At 18.00, at Caffè San Marco there will be the book presentation Con Bata nella giungla with Markéta Pilátová, Alessandro De Vito and Massimo Tria.

This day of screenings finishes at 22.00 with Almost Happy & Friends Concert at Loft. Which will offer you all the best of 80s pop music. Free entry.

Tickets for the Trieste Film Festival are available at the box-offices of Politeama Rossetti, Cinema Ambasciatori and Teatro Miela.
With the opening of  the box-offices it will be possible to purchase the tickets for all the screenings in programme at the theatre where the purchase is being made. Seats are not numbered.

L'articolo IL PROGRAMMA DI MARTEDÌ proviene da Trieste Film Festival.

The day begins at 11:00 at Politeama Rossetti with the special event The Night of the Shooting Stars (La notte di San Lorenzo) (I, 1982, col., 107’) by Paolo and Vittorio Taviani, a tribute to the great actor and dubber Omero Antonutti, who passed away in 2019.
The screeningss continue with the feature film competition: at 14.00 Zana (RKS – AL, 2019, col., 97’) by Antoneta Kastrati, at 16.00 Oleg (LV – B – LT – F, 2019, col., 108’) by Juris Kursietis (The author will be attending the screening) and at 18.00 Oroslan (SLO – CZ, 2019, col., 72’) by Matjaž Ivanišin (The author will be attending the screening). Zana has been presented in Toronto and represents Kosovo at the Oscars, Oleg was presented at ‘Quinzaine des Réalisateurs’ during the latest edition of the Cannes Festival and Oroslan was presented during the Locarno Film Festival.
At 20.00 do not miss the CEI – Central European Initiative award ceremony and immediately after the feature film in competition Cat in the Wall (Kot w Scianie) (BG – GB – F, 2019, col., 92’) by Mina Mileva and Vesela Kazakova: the true story of a cat which, trapped in a wall, will manage to change the lives of hopeful immigrants,  fraudsters and gentrified Brexiteers. The author will be attending the screening.
The day ends at Politeama Rossetti with the feature film out of competition My Thoughts Are Silent (Moi Dumki Tichi) (UA, 2019, col., 104’) by Antonio Lukič. Special prize of the jury in the section ‘East of the West’ at the latest Karlovy Vary festival.

The programme at Cinema Ambasciatori begins at 11.00 with the special event W.R.: Mysteries of the Organism (W.R. – Misterije Organizma) (YU – RFG, 1971, col. & b-n/b-w, 84’) by Dušan Makavejev. A masterpiece of one of the main protagonists of the Yugoslav black wave.
We then continue at 14.00 with The Makavejev Case or Trial in a Movie Theater (Slučaj Makavejev ili Process u Bioskopskoj Sali) (SRB, 2019, col., 74’) by director Goran Radovanović, which explores the position of an artist in socialist Yugoslav, focusing on the political and social situation of that time. 
For the documentary competition, at 16.00 will be screened Immortal (Surematu) (EST – LV, 2019, col., 61’) by Ksenia Okhapkina: the film explains the mechanism that convince human beings to voluntarily become resources for the nation. The author will be attending the screening.
The award ‘Premio Concorso Salani’ will take place at 17.30: #387 (F – I – B, 2019, col., 61’) by Madeleine Leroyer, in competition at the last IDFA in Amsterdam. The author will be attending the screening..
Another documentary in competition at 19.00 will be Heat Singers (Spivaye Ivano-Fran-Kivskteplokomune-Nergo) (UA, 2019, col., 64’) by director Nadia Parfan:  a team of devoted pipefitters rush from home to home to tame hot fountains and to sing. The author will be attending the screening.
At 20.30 and 22.15 will be screened two ‘Corso Salani awards’: first Never Whistle Alone (La bufera. Cronache di ordinaria corruzione) (I – NL, 2019, col., 74’) by Marco Ferrari (The author will be attending the screening) and then BAG Sustainable Architecture study with natural materials  (I, 2019, col., 9’) by Giuseppe Chiantera and Sara Muscogiuri. After will be the time of Maternal (I – AR, 2019, col., 91’) by Maura Delpero. The author will be attending the screening.

At Caffè San Marco, besides the usual meetings with the authors that take place every day at 11.00, it will be possible to take part at 18.30, to Hands of the Makers: tasting of cheeses from the Kumparicka farm accompanied by Istrian wines. Price: 15€.

Tickets for the Trieste Film Festival are available at the box-offices of Politeama Rossetti, Cinema Ambasciatori and Teatro Miela.
With the opening of  the box-offices it will be possible to purchase the tickets for all the screenings in programme at the theatre where the purchase is being made. Seats are not numbered.

L'articolo LUNEDÌCINEMA proviene da Trieste Film Festival.

19
The meeting with the filmmakers, actors and producers continue: all invited, every day of the festival at 11:00 at Caffè San Marco. Here today at 18.00, the presentation of the book D’amore non si muore, with the author Lino Capolicchio (actor, screenwriter, director) and Domenico Monetti (CSC).

Politeama Rossetti introduces the first screening of the day at 10.30 with And the ship sails on (I – F, 1983, col. & b-n/b-w, 132’) by Federico Fellini for ‘Fellini East West’. Absolute premiere of the film restored by CSC – Cineteca Nazionale with Istituto Luce – Cinecittà. The event is part of the celebrations ‘Fellini 100’, for the 100^th anniversary of the birth of Federico Fellini. After the movie do not miss the ‘brunch a la Fellini’ at 13.00 at  Caffè San Marco. Price: film + brunch 20€, only brunch 15€.
The screenings of the feature film in competition continue with Asymmetry (Asimetrija) (SRB – SLO – I, 2019, col., ’93) by Maša Nešković at 14.00 (The author will be present in the theatre), The Father (Bashtata) (BG – GR, 2019, col., 90’) by Kristina Grozeva and Petar Valchanov at 16.00 (The author will be present in the theatre) and Once in Trubchevsk (Odnazdy v Trubčevske) (RUS, 2019, col., 80’) by Larisa Sadilovea at 18.00.
At 20.00 it’s time for the Cinema Warrior award ceremony, while after the award back to the feature films out of competition Paradise, una nuova vita (I – SLO, 2019, col., 83’), first work of Trieste-born filmmaker Davide Del Degan. The author will be present in the theatre.
The day draws to its conclusion at Politeama Rossetti, at 22.00, with Lillian (A, 2019, col., 128’) by Andreas Horvath, feature film in competition presented at ‘Quinzaine des Réalisateurs’ at the last Cannes Film Festival. The author will be present in the theatre.

At Cinema Ambasciatori the day starts at 11.00 with the documentary in competition BATA stories (Bata, Prvni Globalista) (CZ – F – SK, 2019, col. & b-n/b-w, 78’) by Peter Kerekes, focusing on the shoe empire Bata and the global history of  its founder. The author will be present in the theatre.
At 14.00 another documentary in competition, Exemplary Behaviour (Pavyzdingas Elgesys) (LT – I – SLO – BG, 2019, col. & b-n/b-w, 85’) by Audrius Mickevičius and Nerijus Milerius, which explores the concepts of forgiveness and social justice. The author will be present in the theatre.
The programme continues at 16.00 with the special event ‘Art&Sound’ The Last Movie Painter (L’ultimo uomo che dipinse il cinema) (I, 2019, col., 90) by Walter Bencini. An emotional journey into the world of Renato Casaro, one of the most important living illustrators. The author will be present in the theatre.
At 18.00 will be screened the second compilation of the short films competition with Border Crossing (Przejście Graniczne) (PL, 2019, col., 15’) by Agnieszka Chmura, Frontier (Hranice) (CZ, 2020, col., 29’) by Damián Vondrášek, Mama (Ije) (RUS, 2019, col., 12’) by Anastasia Borisova, Destiny (Destino) (I, 2019, col., 20’) by Bonifacio Angius, Alice (Nič sa Nestalo) (SK, 2019, col., 10’) by Monika Mahútová, Virago (EST, 2019, col., 15’) by Kerli Kirch Schneider and Drübenland – The Land Over There (D, 2019, col., 17’) by Arne Kohlweyer. The authors will be present in the theatre.
At 20.30 Sky Arte Award with following Forman vs. Forman (CZ – F, 2019, col. & b-n/b-w, 78’) by Helena Třeštíková and Jakub Hejna per ‘Art&Sound’. The author will be present in the theatre.
The screenings at Cinema Ambasciatori end at 22.00 with the documentary in competition Mother and Son (Ana və Oğul) (AZ, 2019, col., 120’) by Hilal Baydarov, the breakthrough documentarist of this season. The author will be present in the theatre.

The exhibitions continue too: Federico Fellini: visioni dall’Est at Politeama Rossetti from 10.00 to 22.00 and  Il favoloso Gianni – Antologia murale in 21 pannelli at Teatro Miela from 10.00 to 19.00.
At 10.30 starting from the Museum Casa di Osiride Brovedani the walk A Walk Through the Multicultural Trieste  by Marzia Arzon. At 14.30 from Politeama Rossetti the walk Shores, dock, historical cafés and boulevard by Nicola Falcinella and Casa del Cinema. To this real-world walks is added the virtual walk Real sets and virtual tour  in the Foyer of Politeama Rossetti, alog with the other VR experiences.
We remind you also at 11.00 and 15.00 at the Immaginario Scientifico, the activity Behind the light, a path suitable for adults and children (from 8 years old) to discover the science beneath the screening of a film. The author will be present in the theatre.

Today the Festival has two main events for kids, both at Teatro Miela: at 11.30 the show Zoo Party Music & Painting Live by Casa della Musica / Scuola di musica 55 and Alpe Adria Cinema and at 15.00 a selection of short films for children by Animafest Zagreb, Professor Balthazar and his friends: science at cinema!.

Tickets for the Trieste Film Festival are available at the box-offices of Politeama Rossetti, Cinema Ambasciatori and Teatro Miela.
With the opening of  the box-offices it will be possible to purchase the tickets for all the screenings in programme at the theatre where the purchase is being made. Seats are not numbered.

L'articolo LA DOMENICA DEL FESTIVAL proviene da Trieste Film Festival.

Beginning today the meeting with the authors at Caffè San Marco: everyday at 11:00 the audience and press will have the opportunity to ask questions and talk with film directors, actors and producers attending the festival.

Screenings of the day begin at Politeama Rossetti: at 11:00 Interview with Maestro Federico Fellini (Interview s Maestrom – Federicom Fellinim) (I – CS, 1989, col., 14’) by Matej Mináč, who in 1989 spent two amazing days with the maestro thanks to the famous slovak filmmaker Juraj Kakubisko. The director will be attending the screening.
Always for the section “Fellini East West”, Fantastic Mr Fellini – An interview with Wes Anderson (I, 2020, col., 42’). Together with film director Francesco Zippel, Anderson Anderson has retraced some themes close to Fellini’s own approach to cinema. The author will be attending the screening.
At 14:00 starts the feature film competition screenings with Let There Be Light (Nech je svetlo) (SK – CZ, 2019, col., 93’) by Marko Škop, in which Milan learns that his son might be involved in a harrowing event that has stunned the local community. The author will be attending the screening.
Other feature films will follow: Monsters. (Monstri.) (RO, 2019, col., 116’) by Marius Olteanu at 16.00 and Ivana the Terrible (Ivana cea Groaznica) (RO – SRB, 2019, col., 89’) by Ivana Mladenović at 18.15. The authors will be attending the screening.
At 20:30 will close the day at Politeama Rossetti the Eastern Star award ceremony  with the screening of Perfect Strangers ((Nie)znajomi) (PL, 2019, col., 103’) by Tadeusz Śliwa, polish remake of the Italian box-office hit directed by Paolo Genovese, starring Kasia Smutniak (The author will be attending the screening) and at 22:30 the first screening ‘Art&Sound’: And Then We Danced (GE – S – F, 2019, col., 106’) by Levan Akin, presented at ‘Quinzaine des Réalisateurs’ in Cannes.

At Cinema Ambasciatori starts the documentary competition. At 11:00 the documentary out of competition by Gianpaolo Penco Vittorio Vidali – I Am Not the One I Was (I, 2019, col., 106’), about one of the most controversial characters in Stalin’s communism. The author will be attending the screening.
At 14:00 and 16:00 two documentaries in competition: The Euphoria of Being (A Létezés Eufóriája) (H, 2019, col., 84’) by Réka Szabó (The author will be attending the screening), with the participation of Éva Fahidi, survived to Auschwitz Birkenau, and Marek Edelman… and There Was Love in the Ghetto (Marek Edelman… i Byla Milość w Getcie) (PL – D, 2019, col. & b-n/b-w, 80’) by Jolanta Dylewska with the collaboration of Andrzej Wajda. Documentary  with re-enacted scenes co-written by Agnieszka Holland and directed by Andrzej Wajda shortly before his death.
At 18.00 we will see the first compilation of the short film competition, with The Rudeness of a German Lady (Njemački Inat) (HR – H, 2020, col., 15’) by Silva Ćapin, It’s Good Like That (Tak jest dobrze) (PL, 2019, b-n/b-w, 23’) by Marcin Sauter, Sad Girl Weekend (GR, 2019, col., 15’) by Dimitris Tsakaleas and Lida Vartzioti, Dog Days of Summer (Mi smo videli leto) (SRB, 2019, col., 20’) by Nikola Stojanović, Golden Minutes (Auksinės Minutės) (LT, 2019, col., 10’) by Saulius Baradinskas, Anna (GB – UA – IL, 2019, col., 15’) by Dekel Berenson e Lake of Happiness (BY – D – E, 2019, col., 30’) by Aliaksei Paluyan. The authors will be attending the screening.
Other two documentaries in competition will be screened: at 20.30 Transnistra (S – DK – B, 2019, col., 95’) by Anna Eborn and at 22.15 The Wind. A Documentary Thriller (Wiatr. Thriller Dokumentalny) (PL – SK, 2019, col., 75’) by Michal Bielawski (The author will be attending the screening.). The first one follows a group of young people in the self-proclaimed state of Transnistria, while the second one tells the story of one of the most unpredictable elements in the Polish mountains, The Halny wind.
At midnight the feature film out of competition by Predrag Ličina, The Last Serb in Croatia (Posljednji Srbni u Hrvatskoj) (HR – SRB, 2019, col., 88’), the first Balkan zombie comedy!

Today marks the beginning of TSFF Little Ones festival!
At 10:45 and 11:30 at Teatro Miela there will be the Zoo Party Lab workshop by Vincenzo Stera and Casa della Musica / Music School 55. Price: 10€.
At 11:00, always at Teatro Miela, will be screened the short films made during the workshops EU-CIAK at International School of Trieste,  Liceo artistico Enrico e Umberto Nordio and Istituto Tecnico G. Deledda – M. Fabiani; the audience will be asked to vote the best short film. The project has been organized with the support of Pietro Pittini Foundation.
At 16.00 and 17.15 another workshop for kids: Il mio porto va al cinema!, by Annalisa Metus and in collaboration with Autorità di Sistema Portuale del Mare Adriatico Orientale. Free entry.
At 16.00, at Teatro Miela, for ‘Happy Birthday, Gianni Rodari!’ will be screened two masterpieces of animated cinema: Castello di Carte (10’, 1962) by Giulio Gianini and Emanuele Luzzati and La Freccia Azzurra (90’, 1996), by Enzo D’Alò and with the voices of Dario Fo and Lella Costa.

At 10.30 the first walk of the Festival will start from Museo Ex-Lavatoio di San Giacomo: From San Giacomo District to the Lloyd Tower: new itineraries to discover Trieste  by Marzia Arzon. Price: 10€.
At 17.00 at Cafè Rossetti do not miss the meeting Vr Days: women and storytelling in virtual reality with Stefania Casini, Sara Tirelli, Alessia Sonaglioni and Agnese Pietrobon.
At 17.30 at Caffè San Marco will be the time for the talk We all still have a suitcase in Berlin, a meeting between the photographer Marco Auber and the curators of the I still have a suitcase in Berlin Cesare Genuzio and Massimo Premuda.

You will also have the possibility to try three vr experiences: two in the Foyer of Politeama Rossetti, Mare Nostrum. The Nightmare and Medusa Act II, and one at Hotel Hilton, The Key. The experiences are free.

Tickets for the Trieste Film Festival are available at the box-offices of Politeama Rossetti, Cinema Ambasciatori and Teatro Miela.
With the opening of  the box-offices it will be possible to purchase the tickets for all the screenings in programme at the theatre where the purchase is being made. Seats are not numbered.

L'articolo SABATO AL CINEMA proviene da Trieste Film Festival.